Cris Mazza's first novel, How to Leave a Country, while still in manuscript won the PEN / Nelson Algren Award for book-length fiction. The judges included Studs Terkel and Grace Paley. Some of her other notable earlier titles include Your Name Here: ___, Dog People and Is It Sexual Harassment Yet? She was also co-editor of Chick-Lit: Postfeminist Fiction (1995), and Chick-Lit 2 (No Chick Vics) (1996), anthologies of women's fiction. Mazza’s fiction has been reviewed numerous times in The New York Times Book Review, The Wall Street Journal, MS Magazine, Chicago Tribune Books, The Los Angeles Times Book Review, The Voice Literary Supplement, The San Francisco Review of Books, and many other book review publications. In spring 1996, Mazza was the cover feature in Poets & Writers Magazine.
	A native of Southern California, Cris Mazza grew up in San Diego County. Her BA and MA were completed at San Diego State University, then she crossed the country to finish an MFA in writing at Brooklyn College before returning to San Diego where she lived several years training and showing her dogs, completing her first 4 books, and teaching at various local colleges and universities. Mazza has taught fiction writing at UC San Diego, and was Writer in Residence at Austin Peay State University in Clarksville, TN, then at Allegheny College in Meadville, PA. Since 1993 Mazza has lived outside Chicago. She is a professor in and director of the Program for Writers at the University of Illinois at Chicago. In spring 2000 Mazza was the Chairholder in Creative Writing in the MFA program at the University of Alabama, and was an NEA grant recipient in 2000-2001.

In the past several years, Cris Mazza's work as a novelist has expanded as she has continued to consider psychological and emotional complexities of life, but has begun to do so with the contributing complication of place: How regions or localities that still have their own unique characteristics of landscape, society, and culture impact the human experiences (sexuality, family, authority, gender) that Mazza explores in fiction. Her 2001 novel, Girl Beside Him, inhabits rural Wyoming.

Homeland, (2004) involves a woman and her elderly father grappling with a 30-year-old family tragedy while they also find themselves homeless, living in the canyons of suburban Southern California alongside migrant agricultural workers. Indigenous / Growing Up Californian (2003), Mazza’s collection of personal essays, deals with place as it anchors memory and the reconstruction of experience. Waterbaby, a novel forthcoming in 2007 from Soft Skull Press, looks at how local legends still live and grow in a seacoast town in Maine, and how a 19th century legend may be part of not only an individual’s and a place’s identity, but the legend can become a refuge where one can metaphorically sort-out the complications of contemporary life.

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